CARRIE: Oh Momma, why didn't you tell me something ? I was so scared. . .

(Margaret walks over to the table and sits next to Carrie. She puts on rimless glasses, then opens the Bible and starts to read with one of those strange looks on her face)

MARGARET: 'And God made Eve from the rib of Adam. And Eve was
weak and loosed the raven on the world, and the raven was
called Sin - '

(She pushes the Bible at Carrie, her finger on the place.)

MARGARET: . . .and the raven was called sin. . .

CARRIE: Why didn't you tell me? Oh, Momma -

MARGARET: (overriding) . . .and the raven was called Sin! . . .and the first sin was intercourse.

CARRIE: I was so scared ! And the other girls, they made fun of me
and threw things and -

(Margaret's hand flashes out, backhanding Carrie into the wall. It's a wallop of a slap, the sting of it bringing tears to her eyes.)

CARRIE:Momma, please listen. It wasn't my fault.

(Another backhanded blow knocks Carrie to the floor.)

CARRIE: Momma !

MARGARET: And Eve was weak and. . . say it, woman !

(Kick.)

CARRIE: Momma, please help me.

MARGARET: And Eve was weak and loosed the raven on the world.

CARRIE: They threw things . . .

MARGARET: (overriding) . . .and the raven was called Sin. . . Sin! . . .and the first sin was intercourse .

CARRIE: Momma, please listen.

(A kick.)

MARGARET: And the Lord visited Eve with a curse, and the curse
was the Curse of Blood!

(The teakettle starts to WHISTLE.)

CARRIE: You should have told me !

(Margaret clutches Carrie's wrist in a vise.)

MARGARET: (heavenward) O Lord, help this sinning woman see the sin of her days and ways. Show her that if she had remained sinless -

CARRIE:No!

MARGARET: ~ the Curse of Blood would never have come on her. She may have
been tempted by the Antichrist. She may have committed the Sin of
Lustful Thoughts.

(The teakettle is WHISTLING louder - a high-pitched scream.)

CARRIE: No, Momma.

MARGARET: Don't you speak to me, Carietta, don't you know by now I can see inside you? I can see your sin just as surely as God can.

CARRIE: Momma, let me go.

(Margaret flings open the door of the kitchen closet.)

MARGARET: We will pray. We will pray, woman, we will pray to Jesus for
our woman- weak, wicked, sinning souls. . .

(She switches on the light, and there is Jesus on the wall, crown of thorns, bathed in an ominous blue light. A vision of a wrathful God. Throughout the following, Carrie struggles desperately, but she's no match for her mother.)

MARGARET: And the Lord visited Eve with a Curse, and the Curse was the Curse
of Blood. And there was a Second Curse, and this was the Curse of
Cain-bearing, and Eve brought forth Cain in sweat and blood!

(She propels Carrie into the closet, slams the door behind her. Margaret's voice continues, overlapping onto..
Very much the little girl now as she sinks to the floor of the closet - crying, dishevelled, beaten. The closet is just what every child ever dreaded about the night.)

NORMAN:(Controlled resentment)
Sometimes when she talks that way to me I'd like to... curse her out and leave her forever!
(A rueful smile)
Or at least, defy her.
(A pause, a hopeless shrug)
But I couldn't. She's ill.

MARY:She sounded strong...

NORMAN:I mean... ill.
(A pause)
She had to raise me all by herself after my dad died... I was only five... and it must have been a strain. Oh, she didn't have to go out to work or anything, Dad left us with a little something... anyway, a few years ago... Mother met a man.He talked her into building this motel... We could have talked her into anything... and when. Well...It was just too much for her when he died, too... And the way he died...
Oh, it's nothing to talk about when you're eating.
(Pauses, smiles)
Anyway, it was too much of a loss for my mother... she had nothing left.

MARY:(Critically)Except you.

NORMAN:A son is a poor substitute for a lover.
(Turns away as if in distaste of the word)

MARY:Why don't you go away?

NORMAN:To a private island, like you?

MARY:No, not like me.

NORMAN: It's too late for me. And besides...who'd look after her? She'd be alone up there, the fire would go out...damp and cold, like a grave. When you love someone, you don't do that to them, even if you hate them. Oh,I don't hate her. I hate... what
she's become. I hate... the illness.

MARY:(Slowly, carefully)Wouldn't it be better if you put her in... someplace...

(She hesitates. Norman turns, slowly, looking at her with a striking coldness.)

NORMAN: An Institution? A madhouse? People always call a madhouse "someplace."
(Mimicking coldly)
Put her in Someplace!

MARY:I'm sorry... I didn't mean it to sound uncaring...

NORMAN:(The coldness turning to tight fury)
What do you mean about caring? Have you ever seen one of those places? Inside? Laughing and tears and cruel eyes studying you... and my mother there? Why? has she harmed you? She's as harmless as... one of these stuffed birds.

MARY:I am sorry. I only felt... it seemed she was harming you. I meant...

NORMAN:(High fury now) Well? You meant well? People always mean well, they cluck their thick tongues and shake their heads and suggest so very delicately that...

(The fury suddenly dies, abruptly and completely, and he sinks
back into his chair. There is a brief silence.

Mary watches the troubled man, is almost physically pained
by his anguish.)

NORMAN:(Quietly)
I've suggested it myself. But I hate to even think such a thing. She needs me... and it isn't...
(Looks up with a childlike pleading in his eyes)
...it isn't as if she were a maniac, a raving thing... it's just that...sometimes she goes a little mad. We all go a little mad sometimes. Haven't you?

JOAN
(empathic)
It’s impossible being a mother.
Annie looks at Joan. “Yes it is.”

***

(Annie explodes out of her seat.)

ANNIE: Don't you swear at me - you little
shit! You don’t EVER raise your voice
at me! I'm your Mother, you
understand? I've given everything to
you! All I ever DO is worry and slave
and defend you, and all I get back is
that fucking face on your face! So
full of disdain and resentment and
always so annoyed. Well, now your
sister’s dead! And I know you miss
her and I know it was an “accident”
and I know you're in pain - and I
wish I could take it all away! I wish
I could shield you from the knowledge
that you did what you did - but your
sister is dead. She's gone forever.
And what a waste. If it could’ve
maybe brought us together - something! - if you could have just
said “I’m sorry” or faced up to what
happened: maybe then we could do
something with this! But you can’t
take responsibility for anything, so
now I can’t accept. And I can’t
forgive. Because nobody admits what
they’ve done!
She sits down. A heavy silence.
Peter is looking away, fighting tears. But then, after a long
silence...
PETER
And what about you, mom?
(long pause, then)
I didn’t want to take her...and she
didn’t want to go... So why was she
there?
Annie looks at him. Incredulous. She is boiling with rage,
but...this has also hit her somewhere deep. She’s desperately
avoided facing this question since the accident.

Expecting couple Leah (Gaby Hoffmann) and June (Ingrid Jungermann) move into a Brooklyn brownstone apartment with their toddler daughter Lyle. Despite the strange baby-obsessed landlady downstairs and the group of female models who live above them, the two are happy with their new apartment until a bizarre accident leads to the death of Lyle. Months later, Leah is still grief-stricken, trying to make sense of Lyle's death, her landlady's odd behaviors, and her attraction to one of the models upstairs. As Leah prepares for her home birth, she begins to suspect the neighbors are involved in a satanic pact and fears for her unborn baby.

. . . Worse even than expressing open hostility toward being a mother, Eva feels ambivalence. Eva’s supposed “coldness” amounts to a deficit in the over-performance of feeling and attachment demanded by the currently dominant emotional regime. One could say it is every mother’s worst fear (or one of them, a parent’s life being hardly lacking in worst fears); or, conversely, that it is the wish-fulfilment fantasy for those who choose not to have children (why shouldn’t this happen to any parent?).

Rosemary's essential feelings of love and protection for her unborn child drive her to become a mother. Rosemary lives in a kind of dream world. She believes her husband will put her needs first, although his actor's ego make it highly unlikely. She believes her maternal love will transcend the evil of Satan.

A widowed mother, living in a remote town, doing her best to raise her children, after her husband left to fight the war.

Grace is a very traditional lady of her time, and very religious. She insists that her children study religion, and learn biblical teachings. This becomes a major point of the story as her daughter Ann suggests that she has seen ghosts, and Grace obviously does not approve of such a notion. She tries to instill in her children many of the doctrines, and common beliefs of Christianity - including the notion of purgatory -, which is used to ironic effect at the end of the film.

Her extreme care of keeping the house shaded from the light of the sun, and making sure that every door is closed upon entering a room, can be considered obsessive behavior, even if it suggests great dedication to her duties as a mother. She details these rules to the family that shows up at her door looking for work, explaining that her children have a disease that would kill them if they were to be exposed to the sun. As strange events start taking place around the house – the curtains disappearing, doors being opened-, her overzealous nature starts to surface.

A seemingly good-natured and caring character, as she is depicted throughout the film, her behaviour is explained by the final twist of the story: In reality, the family has been dead for a while – the children killed at the hands of the mother, who then commits suicide. Given this final context, it becomes clear, how her descent into madness may have occurred, and why she is not aware that they are actually “the others” (intruders), in their own house.

Asdfghjkl
4 months ago
I watched this movie with both my father and mother. We were halfway through it when my father stood up and took the Bible and went to the other room to read it. My mother and I kept watching it and to this day this is one of the best horror movies I've ever seen.



우주문
11 months ago
Why did I read the title as 'The Biiiitch'



Grapes For All
3 months ago
Thank God we burned all the witches back in the day... They Seem very stressful to deal with

Abel Mantor
1 year ago
Once a psycho always a psycho.



Alan DeMoss
2 years ago
Nicole was excellent as the hot Mom who was wound way too tight.
I would've unwound her good, if you know what I mean ...



Anoop Abraham
7 months ago
The twins are so cute and the fall of family is heartbreaking

Mayor of Hueco Mundo
7 months ago (edited)
The movie is more about really bad parenting.


magnasyst g
4 weeks ago
Good Movie, Good Mother



Paola M
3 weeks ago
His mother was cold, distant and really projected her dislike towards him even as a baby. She never really established a relationship with him. She just wasn’t really all that nurturing.

She is not a witch from the outset, but is led to witchcraft following the wrongful suspicions of her family

Mummy's little monster...

Lovecraftian Face
5 months ago
my mother was a very diffiCULT woman

jeff jones
1 year ago
The mom is the REAL evil in this movie!!!

oui
2 years ago
Why he hate her mother so much?

If you've got a taste for terror... take Carrie to the prom.

If only they knew she had the power.

Say your prayers.

A mother should look out for her sons.

I see, I see.

MOTHER: NOOOOO!

(The ground SHAKES violently. The floor RIPS apart.
The crowd shrieks, panicking. She rises up.)

MOTHER:(at everyone) Murderers!
(at HIM) Murderer.

(Her eyes wild, she scratches his face.)

MOTHER: It’s time to get the fuck out of my
house!

(Long gashes are left behind. Skin is under her nails.
She races off, fighting through the crowd.

.
. The veneer of ordinary domesticity hides something unfamiliar and deeply unsettling. No one and nothing is reliable or normal.

Every family tree has a secret.

Evil runs in the family.

linda handley
3 months ago
I was 9 months pregnant when we went to see this. Bad idea!



All WillDie
1 year ago
Seen this at a drive in with my pregnant sister and brother in law. Gave me nightmares for weeks!



Marcus INfinity
10 months ago
Typical female behavior

A mother should protect her child.

A mother's grief leads to horror.

kanato sakamaki
6 months ago
"We all go a little mad sometimes"...so true👌



Norman Bates
6 years ago
i remember this well. so does mother.



R P
10 months ago
MOTHERRRR!!! WHAT HAVE YOU DONE ‽

MRS. CASTEVET: Do they have children?

ROSEMARY:One has two and the other has four.

MRS. CASTEVET: Well, there's a chance you will have lots of children too.

ROSEMARY:Oh, we 1 re fertile, all right. I've got twenty nieces and nephews.

***

ROSEMARY: It's alive.
(She giggles again)
It's moving. It's all right. It's
moving.
(She looks down at her stomach and presses it lightly.
She reaches for Guy, not looking at him; snaps her
fingers quickly for his hand. He comes closer and
gives it. She puts it to the side of her stomach and
holds it.)

ROSEMARY: You feel it?
(She looks at him) There.

(Guy jerks his hand away, pale.)

GUY: Yes. Yes, I felt it.

ROSEMARY:(Laughing)
It's nothing to be afraid of. It
won't bite you.

GUY: It's wonderful.

(Rosemary holds her stomach again, looking down at it.)

ROSEMARY: It's alive. It's kicking.

(Rosemary laughs and cries too, holding her stomach
with both hands.)MRS. CASTEVET: Do they have children?

ROSEMARY:One has two and the other has four.

MRS. CASTEVET: Well, there's a chance you will have lots of children too.

ROSEMARY:Oh, we 1 re fertile, all right. I've got twenty nieces and nephews.

***

ROSEMARY: It's alive.
(She giggles again)
It's moving. It's all right. It's
moving.
(She looks down at her stomach and presses it lightly.
She reaches for Guy, not looking at him; snaps her
fingers quickly for his hand. He comes closer and
gives it. She puts it to the side of her stomach and
holds it.)

ROSEMARY: You feel it?
(She looks at him) There.

(Guy jerks his hand away, pale.)

GUY: Yes. Yes, I felt it.

ROSEMARY:(Laughing)
It's nothing to be afraid of. It
won't bite you.

GUY: It's wonderful.

(Rosemary holds her stomach again, looking down at it.)

ROSEMARY: It's alive. It's kicking.

(Rosemary laughs and cries too, holding her stomach
with both hands.)

. He grew up with a single mother after his father died, and, by his account, had a very happy childhood. Then, in a jealous rage, Norman killed his mother and her lover; he told police it was a murder-suicide. Even though he got away with his crime, Norman was plagued with guilt, so he stole his mother's corpse and preserved it. He kept it in the house and behaved as if Mrs. Bates was still alive. He eventually started to dress up in her clothes and speak like her, as well. He assumed that because he was so jealous of his mother and her lover, that she would feel the same way about him. Therefore, whenever Norman felt attracted to another woman, his "mother" would kill her.

Seeing is believing.

Me wanting to watch Korean movie Mother(2009):
Mom: We have Mother at home
Mother at home:


jen g.
2 years ago
she does a great scream lol



Breddys Rojas
1 year ago
Now I know what to watch this Mother's Day xD

My daughter's been beaten severely...

and scratched and bitten!

Her mother did it...

her mother,

who is under your psychiatric care.

That's an incredibly heavy

accusation to make.

Did Candice tell you that?

Candice won't talk about it.

She pretends

the whole thing never happened.

But it was Nola...

or some other crazy

you have stashed away up here.

Either way, no more weekends with Mommy.

The kid stays with me.

MOTHERS NOT HERSELF TODAY

Carrie (1976)


Goodnight Mommy (2015)


Hereditary (2018)


Lyle (2014)


Mother! (2017)


Psycho (1968)


Rosemary's Baby (1968)


The Brood (1979)


The Hand That Rocks The Cradle (1992)


The Others (2001)


The Witch (2015)


We Need To Talk about Kevin (2011)

The classic story of a boy and his mother.

Exploring the blackness of the subconscious man!

GLITTERY CATHARSIS
7 months ago
OH MY GOD THAT BABY SCENE TRAUMATISED ME FOR TWO YEARS



My Channel Has Only 1Video Just To Make You Happy
2 years ago
'Mother' cause You'll be screaming for your mama watching this



E S
2 months ago
this movie was SO ANNOYING. I GOT SO PISSED BY ALL THE CHAOS GOING ON AND THIS WOMAN NOT DOING ANYTHING TO PROTECT HERSELF!!

Emma!







[ Crying ]







[ Crying ]







[ Crying ]







[ Pounding ]







[ Pounding ]







- [ Crying ]




- Shh, quiet.







[ Peyton ]





Emma!







Emma.







You're being

very bad,

Emma.


.









[ Crying ]







[ Crying ]







[ Crying ]







[ Crying ]







[ Crying ]







- [ Gasp ]




- [ Crying ]







You.







[ Crying ]







- You give him

over.



- No!







- No?



- No!







You give me my

baby or I'll


bash your


skull in.











Peyton!


It's my

family,Peyton







Don't hurt my

mommy!







[ Wheezing ]







Something the

matter,Claire?







[ Wheezing ]







When your

husband makes

love to you,


it's my face he

sees.


When your

baby's hungry,


it's my breast

that feeds

him.


Look at you.


When push comes

to shove,you

can't


even breathe






[ Wheezing ]







- No.



- [ Crying ]









- Now give him

to me.



- No!







[ Groan ]







No!







Owww!







Noooo!

The devastated mother comes apart at the seams
It's not what you're expecting.

Conceived in terror, born in fear.

Pray for Rosemary's Baby.

If you believe no explanation is necessary.
If you don't believe no explanation is possible.

Pulling the Strings
6 months ago
When's GOOD NIGHT DADDY coming out?


Skye Madsen
1 year ago
I watched this with my mother when i was five,DO YOu ReALIZE THAT I WAS SCARED AS SHIT!?!?!


Jon N
1 year ago
Man o man, aren't I happy that i watched this movie in broad daytime, and with my two daughters besides me. Highly recommended! Don't let the trailer discourage you. lol

What's the matter?

Where is my daughter?
What have you done
with my daughter?

Are you mad?
I am your daughter.

No! You're not my daughter!

No! No!

Aah!

You're not my daughter!
No!

- Aah!

- No! Aah!

Ma'am, I heard shouts.

She wants to kill me! She won't stop until she kills us! She won't stop!

Hush, child. Come with me.

***

Someone wants to kill my children.

Why do you think that the daylight would kill them?
Are you mad?

I told you. I already told you! The children are photosensitive! The light will kill them!

Yes, but that was before. The condition could have
cleared up by itself. If you never expose them to daylight...how do you know they're not cured?

***

It had happened. I had killed my children. I got the rifle. I put it to my forehead. Then I pulled the trigger. Nothing. Then I heard your laughter
in the bedroom. Ahh... You were playing with the pillows... as if nothing had happened. And I thought the Lord in His great mercy... was giving me another chance... telling me, "Don't give up. "
"Be strong. "
"Be a good mother. "
"For them. "
now... now...
What does all this mean?
Where are we?

It opens with the death of Annie’s mother — a “very difficult woman,” Annie says at her funeral — whose passing seems to be as much a relief as it is a tragedy for most of the Graham household. But as it turns out, her death is really a catalyst for a string of increasingly horrific events that will force the family to confront hideous truths about dear old grandma’s legacy. A cold reminder that you never really know a person, no matter how much you love them

They're waiting for you!

The Ultimate Experience Of Inner Terror.

Akawaio Girl
9 months ago
dude, carrie gets revenge! how sweet ! 😊😊😊😊


Yes 911, This video
3 years ago
this is creepy because I have a mom

Sidrah Niaz
2 years ago
All because the mom voted for Donald Trump.

THOMASIN: I am your daughter!

KATHERINE: The Devil is in thee and hath had thee. You are smeared of his sin.
You reek of Evil. You have made a covenant with death!

THOMASIN: Mother!

KATHERINE: You bewitched thy brother, proud slut!

THOMASIN: Stop it Mother.

KATHERINE: Did you not think I saw thy sluttish looks to him, bewitching
his eye as any whore?

THOMASIN: What say you to me?

KATHERINE: And thy father next!

THOMASIN: Mother!

KATHERINE: You took them from me! They are gone!

THOMASIN: No!

KATHERINE: You killed my children!

(KATHERINE has THOMASIN pressed right up against the clapboards.)

THOMASIN: No!

(THOMASIN pushes her mother back.
KATHERINE slaps her in the face!)

KATHERINE: You killed thy father!

(KATHERINE slaps and hits her. THOMASIN is forced down on to the BENCH by the door.)

THOMASIN:(overlapping)
Let go! Stop stop. I love you!
Please, Mother I love you!

KATHERINE:(overlapping)
Witch! WITCH!

THOMASIN: (overlapping)
Stop it! Stop it! STOP IT!

(THOMASIN is struggling to get KATHERINE off of her but she can’t. KATHERINE is using all her force. THOMASIN reaches
behind her, for something, anything.... The first thing that reaches her blind fingers is THE RUSTY BILLHOOK. THOMASIN,
unknowingly takes it up....
SHE SWINGS IT AND SLASHES HER MOTHER IN THE HEAD!
KATHERINE gives a stunned look and BLOOD gushes from her
wound.
THOMASIN is in shock at what’s she’s done:)

THOMASIN: Forgive me. Forgive me. Mother,
mother

(THOMASIN takes a step forward, BUT THEN KATHERINE STARTS TO
STRANGLE THOMASIN!
She squeezes her hands tight around her daughter’s neck, turning red, trying to scream!
THOMASIN TRIES TO GET HER MOTHER OFF OF HER! SHE CAN’T!
KATHERINE KEEPS STRANGLING HER.
THOMASIN, IN TURN, HACKS AT KATHERINE WITH THE BILLHOOK
AGAIN. HER EYES CLOSED.
SHE HACKS AGAIN, AND AGAIN UNTIL SHE CAN GET AWAY!
THOMASIN escapes from her mother’s clutches.
KATHERINE collapses on THOMASIN.
THOMASIN lies there with her mother’s heavy body on her.
Pause.
THOMASIN is shaking uncontrollably, breathing fast –
adrenaline still coursing through her body. THE BILLHOOK
drops out of her hand.
She tries to move KATHERINE’S head, but it falls limp.
KATHERINE is dead.
Pause.
THOMASIN lets out quiet, deeply mournful cry.
She hugs her mother’s corpse.
Tightly.
Pause.
Then, slowly, slowly, the hug releases and THOMASIN’S face
begins to fall numb.
Still trembling, on her back, THOMASIN crawls awkwardly out
from under KATHERINE, pushing her mother off her.
THOMASIN gets up and walks slowly, not looking at the bodies.
She walks around the farmyard like a ghost.
She looks out at THE OLD OAK TREE. Out to CALEB’S GRAVE.
Pause.
She is alone.)
THOMASIN: I am your daughter!

KATHERINE: The Devil is in thee and hath had thee. You are smeared of his sin.
You reek of Evil. You have made a covenant with death!

THOMASIN: Mother!

KATHERINE: You bewitched thy brother, proud slut!

THOMASIN: Stop it Mother.

KATHERINE: Did you not think I saw thy sluttish looks to him, bewitching
his eye as any whore?

THOMASIN: What say you to me?

KATHERINE: And thy father next!

THOMASIN: Mother!

KATHERINE: You took them from me! They are gone!

THOMASIN: No!

KATHERINE: You killed my children!

(KATHERINE has THOMASIN pressed right up against the clapboards.)

THOMASIN: No!

(THOMASIN pushes her mother back.
KATHERINE slaps her in the face!)

KATHERINE: You killed thy father!

(KATHERINE slaps and hits her. THOMASIN is forced down on to the BENCH by the door.)

THOMASIN:(overlapping)
Let go! Stop stop. I love you!
Please, Mother I love you!

KATHERINE:(overlapping)
Witch! WITCH!

THOMASIN: (overlapping)
Stop it! Stop it! STOP IT!

(THOMASIN is struggling to get KATHERINE off of her but she can’t. KATHERINE is using all her force. THOMASIN reaches
behind her, for something, anything.... The first thing that reaches her blind fingers is THE RUSTY BILLHOOK. THOMASIN,
unknowingly takes it up....
SHE SWINGS IT AND SLASHES HER MOTHER IN THE HEAD!
KATHERINE gives a stunned look and BLOOD gushes from her
wound.
THOMASIN is in shock at what’s she’s done:)

THOMASIN: Forgive me. Forgive me. Mother,
mother

(THOMASIN takes a step forward, BUT THEN KATHERINE STARTS TO
STRANGLE THOMASIN!
She squeezes her hands tight around her daughter’s neck, turning red, trying to scream!
THOMASIN TRIES TO GET HER MOTHER OFF OF HER! SHE CAN’T!
KATHERINE KEEPS STRANGLING HER.
THOMASIN, IN TURN, HACKS AT KATHERINE WITH THE BILLHOOK
AGAIN. HER EYES CLOSED.
SHE HACKS AGAIN, AND AGAIN UNTIL SHE CAN GET AWAY!
THOMASIN escapes from her mother’s clutches.
KATHERINE collapses on THOMASIN.
THOMASIN lies there with her mother’s heavy body on her.
Pause.
THOMASIN is shaking uncontrollably, breathing fast –
adrenaline still coursing through her body. THE BILLHOOK
drops out of her hand.
She tries to move KATHERINE’S head, but it falls limp.
KATHERINE is dead.
Pause.
THOMASIN lets out quiet, deeply mournful cry.
She hugs her mother’s corpse.
Tightly.
Pause.
Then, slowly, slowly, the hug releases and THOMASIN’S face
begins to fall numb.
Still trembling, on her back, THOMASIN crawls awkwardly out
from under KATHERINE, pushing her mother off her.
THOMASIN gets up and walks slowly, not looking at the bodies.
She walks around the farmyard like a ghost.
She looks out at THE OLD OAK TREE. Out to CALEB’S GRAVE.
Pause.
She is alone.)

Behind a beautiful face, beneath a dangerous smile, lies a rage that can't be stopped.


Trust is her weapon.
Innocence her opportunity.
Revenge her only desire.

Jonathan N
Aug 09, 2019
A movie about toxic femininity.


Urketadic
2 years ago
Movie doesn't make any sense. Carrie is better looking than all of them combined


White Rose Ghostbusters
1 week ago
"Crazy mother"... and no one thought to call social services? 😂

(A stream of bloody pee runs into the toilet bowl.
Eva breathes a sigh of... relief?
She pulls up her knickers and washes her hands.

Eva walks to the kitchen area, flicks the switch of the kettle and reaches into the cupboard. Almost instantly
Franklin is behind her, his sweaty body rubbing into hers.)

EVA: Not now....I got my period.

(She turns to him, making an effort to look regretful when she
see’s a flicker of disappointment cross his face.)

FRANKLIN: Never mind, we’ll just keep trying
hey?

(He takes her in his arms. Eva’s face visible over his
shoulder looks less than enthusiastic.)

***

EVA: What’s the matter Franklin? Am I not playing mommies and daddies
right? Christ, if I’d known that’s what you were expecting I wouldn’t
have bothered.

(Franklin’s face turns beet red.)

FRANKLIN:(quietly furious)
It’s too late for second thoughts now Eva.

Carrie’s devotedly religious mother, who believes that Carrie is in possession of her powers due to the fact that she has been possessed by the Devil. She inherently believes that Carrie is evil and must be killed, having little regard for her own daughter’s life over her fanatical beliefs

Sooner or later she'll see them, then everything will be different.

How do you keep them out, when they've already invited themselves in?

Close Every Door, Turn Off Every Light, And Look For The Others.